{"id":50700,"date":"2018-12-30T19:11:25","date_gmt":"2018-12-31T00:11:25","guid":{"rendered":"http:\/\/mattsteffen.com\/?p=50700"},"modified":"2019-02-05T20:57:35","modified_gmt":"2019-02-06T01:57:35","slug":"2018-year-in-review","status":"publish","type":"post","link":"https:\/\/mattsteffen.com\/2018-year-in-review\/","title":{"rendered":"2018 year in review"},"content":{"rendered":"
Will someone please slow this thing down.<\/p>\n
I’m not sure what I think is supposed to happen, as if my trajectory will suddenly skew and something will take over my attention. But here I am again, looking back at a year of CWW – Concerts, Woods, Wander. It’s clearly what I like doing most.<\/p>\n
This year we made it to Lake Michigan and Detroit, several weekends filled with discoveries along the back roads of the Midwest, and the customary hiking trips of central Kentucky. I got to study with Cincinnati royalty Michael Wilson<\/a>. I was invited to hang a bunch of my work with the Forealism Tribe<\/a> in The Carnegie<\/a>‘s Galleries as part of the Fotofocus Biennial<\/a>. Keith Klenowski<\/a> was kind enough to sit and chat while I proved there’s a learning curve to portraiture (proof in Issue 04 of Polly Magazine<\/a>). I continued my path down the photographic rabbit hole of stretching, chopping, and recomposing time and space.<\/p>\n